Welcome back to the PRO spotlight series, where we showcase the backbone of PosterSpy: its PRO members. Today we interview Rachel Merrill, an illustrator, animator and storyboard artist whose posters have been delighting us with their subdued color palettes and unique illustration style.
Hi Rachel! To kick things off, where are you based?
Glamorous Astoria, Queens! I’ve been in NYC for about 12 years, and Astoria for 8. It’s the kind of neighborhood that’s uncool for tourists but that other New Yorkers love.
How did you get into the art of posters?
Completely by accident. I had no idea there was still a market for illustrated poster work. I made a tribute illustration of Anna Karina in the style of a poster that I wish existed. People ended up asking for prints of it and my work evolved from there.
Why did you pick her in particular for a poster tribute?
I’m a HUGE FAN! I think I first saw her images on the old LiveJournal and found her completely captivating. Eventually, it lead me to seeking out her films and falling in love with French New Wave movies, particularly her collaborations with Godard. My favorites are Le Petit Soldat and Une Femme Est Une Femme, but they’re all basically perfect.
Your artworks are very reminiscent of vintage book covers. What are some of the influences behind your style?
I’ve always appreciated a retro look, especially mid-century illustrations when working artists still made a living wage. The movies I love also influenced my work, especially Jean-Luc Godard’s 60s films in CinemaScope. Other artists who’ve shaped my work are Edgar Degas, Henri de Toulouse-Lautrec, Doc Hammer and Jackson Publick, Hayao Miyazaki, Satoshi Kon, Kyoko Okazaki, Nan Goldin and Bill Eggleston.
Could you walk us through your typical artistic process?
I generally have a pretty strong idea going into the project and I refine from there. With my Breathless poster, it literally came to me in a dream, so I got up and started sketching!
What are two or three of the favorite posters you’ve done?
In The Mood For Love is the fan favorite by far, which is funny because when I first made it I felt like it was a failure, and the initial reception was lukewarm. It’s taken on a life of its own, though! The other would probably be my Anna Karina tribute poster that started it all.
How long have you been with PosterSpy? What has your experience been like?
I found the website through some friends and I’ve only been here for a couple of months. I’m excited to become more involved in the community.
What is your ideal poster gig?
Criterion Collection, CALL ME!
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